Representation of Social Criticism in the Lyrics of the 1984 Song by Superman is Dead
Representasi Kritik Sosial Pada Lirik Lagu 1984 Oleh Superman is Dead
DOI:
https://doi.org/10.21070/ups.7280Keywords:
Semiotic, Social Criticism, Music, SID, RepresentationAbstract
This research aims to explore how social criticism is represented in the lyrics of the 1984 song Superman is Dead. This song is full of social messages, depicting anxiety about various issues, such as authoritarianism, social inequality, consumerist culture, and the silencing of people's voices. Music is an important medium for artists to convey criticism of injustice and certain social phenomena. The research method used is Roland Barthes' semiotic analysis, by examining signs and symbols in song lyrics to reveal deeper meanings. Primary data in the form of the lyrics of the 1984 song were analyzed qualitatively. The research results show that this song uses various symbols and sharp diction to criticize authority control, manipulation of information, and social injustice. This song also voices resistance to repression and invites people to dare to convey the truth even though they face great risks
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M. W. Wicaksono, “Podcast Sebagai Media Kritik Sosial (Analisis Wacana Digital Pada Podcast Mendoan ‘Bukannya Menginjak Dewasa Malah Menginjak Gulune Wong’ Di Spotify Terkait Kasus Penganiayaan Oleh Mario Dandy),” J. Ilm. Ilmu Komun. Commun., vol. 6, no. 1, pp. 107–121, 2023, doi: 10.62144/jikq.v6i1.245.
R. Hidayatullah, “Komunikasi Musikal dalam Konser ‘Musik Untuk Republik,’” Tonika J. Penelit. dan Pengkaj. Seni, vol. 4, no. 2, pp. 145–160, 2021, doi: 10.37368/tonika.v4i2.254.
R. Retnoningtyas, “Kritik Sosial Dalam Lirik Lagu Superman Is Dead,” Buana Bastra, vol. 4, no. 1, pp. 35–41, 2021, doi: 10.36456/bastra.vol4.no1.a3569.
R. N. A. Febrilian, I. Fathurohman, and M. N. Ahsin, “Representasi Kritik Sosial Pada Novel Merasa Pintar Bodoh Saja Tak Punya Karya Rusdi Mathari,” Edukasiana J. Inov. Pendidik., vol. 1, no. 4, pp. 183–191, 2022, doi: 10.56916/ejip.v1i4.187.
S. Dwi and H. Arfah, “Kritik Sosial Dalam Musik ( Analisis Tekstual Representasi Kritik Sosial Dalam Lirik Lagu Papua Kucinta ‟ Karya Iksan Skuter ),” Al Hikmah J. Dakwah dan Komun., vol. 2, no. 1, pp. 100–109, 2022.
A. Safitri, “Kritik Sosial Dalam Film the Platform (Analisis Semiotika Roland Barthes),” Progr. Stud. Ilmu Komun. Fak. Komun. Dan Inform. Univ. Muhammadiyah Surakarta, 2022.
Neli Aprila Yunandi, Muhamad Dadih Hidayat, Diky Nurjaman, and Ahmad Muiz Rahman, “Kondisi Dan Kritik Sosial Pada Era Milenial Dalam Puisi ‘Salahkah Melangkah’ Karya Fiersa Besari,” J. Ris. Rumpun Ilmu Bhs., vol. 1, no. 1, pp. 66–70, 2022, doi: 10.55606/jurribah.v1i1.138.
A. C. Jamlean, A. Pramujiono, and I. Indayani, “Kritik Sosial Masalah Keluarga Dan Kebudayaan Dalam Novel Bedebah Di Ujung Tanduk Karya Tere Liye,” Indones. J. Pembelajaran Bhs. dan Sastra Indones., vol. 5, no. 2, p. 302, 2024, doi: 10.59562/indonesia.v5i2.62181.
L. Hakim and F. Rukmanasari, “Representasi Pesan Motivasi Dalam Lirik Lagu K-Pop ‘Beautiful’ By NCT:(Analisis Semiotika Ferdinand De Saussure),” Al-Ittishol J. Komun. dan Penyiaran Islam, vol. 4, no. 1, pp. 19–38, 2023.
A. A. W. Rahmasari, “Representasi Kesehatan Mental Dalam Lirik Lagu Secukupnya Karya Hindia (Analisis Semiotika Ferdinand De Saussure),” Innov. J. Soc. Sci. Res., vol. 3, pp. 11764–11777, 2023, [Online]. Available: https://j-innovative.org/index.php/Innovative
S. Hall, “Representation: Cultural representations and signifying practices. London: Sage Publications Hastuti,” A Cult. Hist. Hair Mod. Age, pp. 163–180, 2002, doi: 10.5040/9781474206013.0012.
Muhammad Rayhan Firdaus and Rahmawati Zulfiningrum, “Representasi Citra Diri Keanu Sebagai Influencer Melalui Instagram @keanuagl,” J. Herit., vol. 10, no. 2, pp. 105–114, 2022, doi: 10.35891/heritage.v10i2.3234.
Nurma Yuwita, “Representasi Nasionalisme Dalam Film Rudy Habibie (Studi Analisis Semiotika Charles Sanders Pierce),” J. Herit., vol. 6, no. 1, pp. 40–48, 2018, doi: 10.35891/heritage.v6i1.1565.
D. Hariyanto, Buku Ajar Pengantar Ilmu Komunikasi Penulis : Didik Hariyanto Diterbitkan oleh Jl . Mojopahit 666 B Sidoarjo ISBN : 978-623-6081-32-7 Copyright © 2021 . Authors All rights reserved. 2021.
M. M. Anugrahanti, “REPRESENTASI TRANSGENDER DI YOUTUBE (ANALISIS SEMIOTIKA TAYANGAN VLOG STASYA BWARLELE DI CHANNEL YOUTUBE),” (Doctoral Diss. Univ. Atma Jaya Yogyakarta)., 2020.
Y. Khoirul and P. Febriana, “Representasi identitas seksual gay di YouTube,” no. 0341, 2023.
G. W. Febryningrum and D. Hariyanto, “John Fiske’s Semiotic Analysis in Susi Susanti’s Film -- Love All,” KnE Soc. Sci., vol. 2022, pp. 46–51, 2022, doi: 10.18502/kss.v7i12.11502.
Roro Ayu and Didik Hariyanto, “The Meaning of Lyric Pamer Bojo By Alm. Didi Kempot,” Indones. J. Cult. Community Dev., vol. 11, pp. 1–12, 2022.
Y. Nurimba and A. Muhiddin, “Analisis Semiotika Roland Barthes Pada Iklan Rokok Apache Versi Hidup Gue Cara Gue,” J. Commun. Sci., vol. 3, no. 1, pp. 18–25, 2021, doi: 10.55638/jcos.v3i1.537.
Feny Rita Fiantik et al., Metodologi Penelitian Kualitatif. In Metodologi Penelitian Kualitatif, no. Maret. 2022. [Online]. Available: https://scholar.google.com/citations?user=O-B3eJYAAAAJ&hl=en
Hafshah Hazimah and D. Hariyanto, “Representation Of Cyberbullying In Social Media Instagram (Semiotic Analysis On @Rachelvennya Account),” J. Spektrum Komun., vol. 11, no. 3, pp. 315–327, 2023, doi: 10.37826/spektrum.v11i3.556.
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