Preprint has been published in a journal as an article
Preprint / Version 1

Representation of Moral Values in the Semar Bangun Khayangan Shadow Puppet Story on the Javanese Puppet Art YouTube Channel


Representasi Nilai Moral Dalam Cerita Wayang Kulit Semar Bangun Khayangan di Channel YouTube Javanese Puppet Art

##article.authors##

DOI:

https://doi.org/10.21070/ups.1728

Keywords:

Semiotics , Moral Values, Shadow Puppets

Abstract

Currently technological developments have many influences and changes to various fields, including the fields of customs and culture. In this modern era, many cultures adapt technology so that they can continue to live and be known by the wider community, including the culture of wayang performances. Until now, various ways to introduce wayang culture have been carried out, including sharing moments of wayang performances through social media such as YouTube accounts. This research aims to: (1) To describe the moral values ​​in a wayang story "Semar Mbangun Kayangan" which is broadcast online (2) To describe the moral values ​​obtained from the wayang story "Semar Mbangun Kayangan" based on Immanuel Kant's Moral perspective (3) To describes the moral values ​​that exist in the wayang story "Semar Mbangun Kayangan" through the semiotic analysis of the Ferdinand de Saussure model. 

Downloads

Download data is not yet available.

References

A. Purnama, “Nilai Moral Lakon ‘Semar Mbangun Kahyangan’Sanggit Ki Eko Suwaryo,” J. Progr. Stud. PendidikanBahasa dan SastraJawa, vol. 05, no. 03, pp. 96–106, 2014.

S. Purwanto, “Pendidikan Nilai dalam Pagelaran Wayang Kulit,” Ta’allum J. Pendidik. Islam, vol. 6, no. 1, pp. 1–30, 2018, doi: 10.21274/taalum.2018.6.1.1-30.

D. Darmoko, “Moralitas Jawa dalam Wayang Kulit Purwa: Tinjauan pada Lakon Laire Semar,” Paradig. J. Kaji. Budaya, vol. 5, no. 2, p. 118, 2016, doi: 10.17510/paradigma.v5i2.52.

I. Leliana, M. Ronda, and H. Lusianawati, “Representasi Pesan Moral Dalam Film Tilik (Analisis Semiotik Roland Barthes),” Cakrawala - J. Hum., vol. 21, no. 2, pp. 142–156, 2021, doi: 10.31294/jc.v21i2.11302.

E. Suprayitno, “Representasi Nilai Moral Dalam Cerita Rakyat Golan Mirah Di Desa Nambang Rejo Kecamatan Sukorejo Kabupaten Ponorogo,” J. Pancasila dan Kewarganegaraan, vol. 3, no. 1, pp. 30–41, 2018, doi: 10.24269/jpk.v3.n1.2018.pp30-41.

J. A. Z. Suryosumunar and F. Noorzeha, “Kirab Pusaka Keraton Kasunanan Surakarta Dalam Perspektif Etika Deontologi Immanuel Kant,” Sanjiwani J. Filsafat, vol. 13, no. 2, pp. 111–122, 2022, doi: 10.25078/sanjiwani.v13i2.1204.

I. Gusmian, “FILSAFAT MORAL IMMANUEL KANT: Suatu Tinjauan Paradigmatik,” Al-A’raf J. Pemikir. Islam dan Filsafat, vol. 11, no. 2, p. 57, 2014, doi: 10.22515/ajpif.v11i2.1190.

R. Effendi, “Kewajiban dalam Pemikiran Immanuel Kant dan Relevansinya dengan Akhlak Islam,” J. Al-Aqidah, vol. 12, no. 2, pp. 53–67, 2020, doi: 10.15548/ja.v12i2.2272.

A. AS and N. M. Umaya, SEMIOTIKA TEORI DAN APLIKASI PADA KARYA SASTRA. IKIP PGRI SEMARANG PRESS.

H. Hafzotillah, “Analisis Semiotika Komunikasi Interpersonal Ayah Dan Anak Dalam Film Mencari Hilal,” Media Bahasa, Sastra, dan Budaya Wahana, vol. 27, no. 2, pp. 612–617, 2021, doi: 10.33751/wahana.v27i2.4550.

Fatimah, SEMIOTIKA dalam kajian IKLAN LAYANAN MASYARAKAT (ILM). Sulawesi Selatan: Tallasa Media, 2020. doi: 10.1007/978-3-476-04949-0_117.

Salim & Syahrum, “Metodologi Penelitian Kualitatif.pdf.” pp. 1–202, 2012.

I. G. N. Gumana Putra, “Variasi Retorika dalam Pertunjukan Wayang Cenk Blonk,” Segara Widya J. Penelit. Seni, vol. 9, no. 2, pp. 106–118, 2021, doi: 10.31091/sw.v9i2.1741.

A. B. Mukaddas, “Unsur-Unsur Seni Rupa Dalam Pertunjukan Wayang Kulit Purwa,” Balo Lipa J. Pendidik. Seni Rupa, pp. 1–9, 2021.

1 Bustanul Arifin Whinarno, Cecep, “Pesan Dakwah dalam Pementasan Wayang Kulit Lakon ‘Ma’rifat Dewa Ruci’ Oleh Dalang Ki Enthus Susmono Cecep Whinarno, 1 Bustanul Arifin 2 1,” J. Kopis, vol. 2, no. 1, pp. 1–12, 2019.

Posted

2023-08-16