Representation of the Struggle for Racial Justice in Just Mercy (Charles Sanders Peirce's Semiotic Analysis)
Representasi Perjuangan Keadilan Ras dalam Film Just Mercy (Analisis Semiotika Charles Sanders Peirce)
DOI:
https://doi.org/10.21070/ups.1249Keywords:
Representation, Film, Struggle, Racial, Semiotics Charles Sanders PierceAbstract
Film has a role in conveying or representing social reality to the public. Film is also one of the easiest ways to understand issues that occur in society, one of which concerns racial. There are not a few films that raise the issue of racial, one of which is the film Just Mercy. This study aims to determine the form of representation of the struggle in obtaining racial justice. This type of research is descriptive qualitative using Charles Sanders Pierce's semiotic analysis. The results of this study show that there are 10 scenes that depict the form of struggle representation in the Just Mercy film and also several scenes that show acts of racism. The conclusion of this study shows the representation of the struggle for racial justice in the film Just Mercy and criticizes all forms of racism contained in the film.
Downloads
References
U. Sasmita, “REPRESENTASI MASKULINITAS DALAM FILM DISNEY MOANA (ANALISIS SEMIOTIKA CHARLES SANDERS PIERCE)”, Universitas Tadulako, Kota Palu Sulawesi Tengah, 2017.
N. Yuwita, “REPRESENTASI NASIONALISME DALAM FILM RUDY HABIBIE (STUDI ANALISIS SEMIOTIKA CHARLES SANDERS PIERCE)”, Universitas Yudharta, Pasuruan, 2016.
M. J. Rorong, “REPRESENTASI NILAI KEMANUSIAAN WEB SERIES KISAH CARLO (Analisis Semiotika dalam perspektif Charles Sanders Peirce),” Jurnal SEMIOTIKA, vol.13, no.1, pp 106-123, 2019.
N. A. Zain, D. Valdiani and T. Puspanidra, “REPRESENTASI SISI KEMISKINAN DALAM FILM PARASITE (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE),” Jurnal Penelitian Ilmu Komunikasi, vol.5, no.2, pp. 83-90, November 2021.
P. J. Kalle and P. Febriana, “REPRESENTASI #SEMUAJUGABISA DALAM IKLAN MS GLOW FOR MEN VERSI BABE CABITA X MARSHEL WIDIANTO (Analisis Semiotika Charles Sanders Pierce)”, Universitas Muhammadiyah Sidoarjo, 2023.
A. R. Fahlevi and L. Rachmaria, “REPRESENTASI NILAI-NILAI PERJUANGAN KELUARGA DALAM FILM DI BALIK 98 (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE),” PANTAREI, vol.5, no.1, 2021.
B. F. Muhammad, “REPRESENTASI MORAL BAIK DALAM SERIAL DRAMA SQUID GAME (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE)”, Universitas Nasional, Jakarta, 2022.
S. Citra and P. Febriana, “Analisis Peran Gender Tokoh Mulan dan Bori Khan dalam Film Mulan 2020,” Indonesian Journal of Cultural and Community Development, vol.11, Maret 2022.
A. Elmawinda, “Representasi Rasisme dalam Film The Help (Analisis Semiotika Rasisme terhadap Ras Afrika – Amerika dalam Adegan Film The Help)”, Universitas Muhammadiyah Malang, 2018.
A. Nuziar, “REPRESENTASI KELAS SOSIAL DALAM FILM CRAZY RICH ASIAN (Analisis Semiotika Charles Sanders Pierce)”, Universitas Islam Indonesia, 2020.
Y. Mudjiono, “KAJIAN SEMIOTIKA DALAM FILM,” Jurnal Ilmu Komunikasi, vo.1, no.1, pp. 125-138, 2020.
A. Khairulyanto, “PESAN TOLERANSI BERAGAMA DALAM FILM BAJRANGI BHAIJAAN (Analisis Semiotika Charles Sanders Peirce)”, Institut Agama Islam Negeri Ponorogo, 2021.
I. Bimantara and A. Dharmawan, “REPRESENTASI KELAS SOSIAL DALAM FILM GUNDALA (ANALISIS SEMIOTIKA MODEL PEIRCE),” Commercium, vol.04, no.02, pp. 56-69, 2021.
I. Kurniati, “REPRESENTASI PERJUANGAN SEORANG AYAH DALAM FILM SEJUTA SAYANG UNTUKNYA”, Universitas Muhammadiyah Sumatera Utara, Medan, 2021.
P. Ariningrum, “REPRESENTASI NILAI PERJUANGAN KELUARGA DALAM MENCAPAI AMERICAN DREAM PADA FILM DRAMA MINARI”, Universitas Muhammadiyah Surakarta, 2023.
M. P. Sari, I. R. Dilla, M. A. Fasha, and R. R. Maulana, “REPRESENTASI PENCARIAN MAKNA DIRI PADA FILM SOUL 2020 (STUDI ANALISIS SEMIOTIKA CHARLES SANDERS PIERCE),” Jurnal SEMIOTIKA, vol.16, no, pp. 43-50, 2022.
U. F. Sukanda and S. S. Yulandari, “REPRESENTASI NASIONALISME DALAM FILM ANIMASI BATTLE OF SURABAYA,” DIALETIKA KOMUNIKA: Jurnal Kajian Komunikasi dan Pembangunan Daerah, vol.7, no.2, pp. 134-146, 2020.
Downloads
Additional Files
Posted
License
Copyright (c) 2023 UMSIDA Preprints Server
This work is licensed under a Creative Commons Attribution 4.0 International License.