Dramaturgy in the Identity and Image of Influencer Musdalifah Basri on the Tiktok Account @musdalifahbasrii
Dramaturgi dalam Identitas dan Citra Influencer Musdalifah Basri pada Akun Tiktok @musdalifahbasrii
DOI:
https://doi.org/10.21070/ups.9799Keywords:
Identity, dramaturgy, Influencer, self-image, TikTokAbstract
Social media has become a major platform for establishing identity in the digital age, with TikTok as a significant platform shaping trends through creative video content. This study aims to analyze the application of front stage and back stage concepts in the formation of Musdalifah Basri's identity and analyze how her image shapes interactions with her followers on TikTok. Using descriptive qualitative methods, data were collected through non-participatory observation on @musdalifahbasrii and @emde.team accounts, documentation, and literature studies. The results of the study show that Musdalifah strategically uses his main account as a front stage to present a consistent comedic persona through hyperbolic appearances, styles, and settings. Uniquely, the back stage is deliberately exposed through his team account (@emde.team) to show a simple and collaborative work process, in order to build an authentic image and closeness to the audience.
Downloads
References
S. A. Fitri, S. Azkia, And L. Nursyabani, “Identitas Sosial Influencer Berhijab Di Media Sosial,” Vol. 9, Pp. 211–228, 2024.
G. Octaviana, “Jumlah Pengguna Tiktok Indonesia Semakin Melejit,” Radio Republik Indonesia.
T. N. Novitasari And S. P. Setyawati, “Penggunaan Aplikasi Tiktok Dalam Mengembangkan Rasa Percaya Diri,” Pros. Semdikjar …, Pp. 314–321, 2023, [Online]. Available: Https://Proceeding.Unpkediri.Ac.Id/Index.Php/Semdikjar/Article/View/3667%0ahttps://Proceeding.Unpkediri.Ac.Id/Index.Php/Semdikjar/Article/Download/3667/2438
W. Octavia Isroissholikhah, “Efektivitas Content Creator Dalam Strategi Promosi Di Era Digital,” Sibatik J. J. Ilm. Bid. Sos. Ekon. Budaya, Teknol. Dan Pendidik., Vol. 2, No. 1, Pp. 121–128, 2022, Doi: 10.54443/Sibatik.V2i1.507.
L. C. Sugiono, “Citra Diri Vapers Perempuan Di Surakarta,” Epository.Uksw.Edu, Pp. 7–15, 2022, [Online]. Available: Https://Repository.Uksw.Edu/Handle/123456789/26868
F. A. Girnanfa And A. Susilo, “Studi Dramaturgi Pengelolaan Kesan Melalui Twitter Sebagai Sarana Eksistensi Diri Mahasiswa Di Jakarta,” J. New Media Commun., Vol. 1, No. 1, Pp. 58–73, 2022, Doi: 10.55985/Jnmc.V1i1.2.
H. Rodas, “Dramaturgia,” Dramaturgias, No. 4, Pp. 109–112, 2017, Doi: 10.26512/Dramaturgias.V0i4.8523.
B. A. B. Ii, “Bab Ii Tinjauan Pustaka 2.1 Teori Dramaturgi Usm (1),” Pp. 10–21.
R. Dewi And P. A. Janitra, “Dramaturgi Dalam Media Sosial: Second Account Di Instagram Sebagai Alter Ego,” J. Ilmu Komun., Vol. 8, No. 3, Pp. 340–347, 2018.
R. C. Putri, Z. F. Nurhadi, And H. Mujianto, “Two Faces Of Celebrities: Analysis Of Goffman’s Dramaturgy,” Uho Commun. Sci. J. Res. J. Soc. Inf. Sci., Vol. 9, No. 1, Pp. 73–90, 2024.
N. Nurmala And R. Setiawan, “Fenomena Dramaturgi Dan Konstruksi Citra Diri Pengguna Second Account Instagram Pada Kalangan Mahasiswa Fkip Untirta,” Edu Sociata J. Pendidik. Sosiol., Vol. 6, No. 1, Pp. 345–356, 2023, [Online]. Available: Http://Jurnal.Stkipbima.Ac.Id/Index.Php/Es/Article/View/1336
T. D. Bilqis, M. R. Alfiani, F. A. Gayatri, And Cuhandi, “Dramaturgi Dalam Media Sosial: Second Account Di Instagram Sebagai Self Disclosure,” Hum. J. Sosiohumaniora Nusant., Vol. 1, No. 2, Pp. 155–164, 2024, Doi: 10.62180/914e5g76.
U. N. Shabiriani, “Dramaturgi Dalam Identitas Dan Citra Influencer Kadeer Bachdim Pada Akun Instagram D_Kadoor,” J. Nawala Vis., Vol. 3, No. 2, Pp. 81–86, 2021, Doi: 10.35886/Nawalavisual.V3i2.236.
A. Rachman, Metode Penelitian Kuantitatif, Kualitatif Dan R&D, No. January. 2024.
A. Rizky Fadilla And P. Ayu Wulandari, “Literature Review Analisis Data Kualitatif: Tahap Pengumpulandata,” Mitita J. Penelit., Vol. 1, No. No 3, Pp. 34–46, 2023.
A. A. Mekarisce, “Teknik Pemeriksaan Keabsahan Data Pada Penelitian Kualitatif Di Bidang Kesehatan Masyarakat,” J. Ilm. Kesehat. Masy. Media Komun. Komunitas Kesehat. Masy., Vol. 12, No. 3, Pp. 145–151, 2020, Doi: 10.52022/Jikm.V12i3.102.
Sri Suneki & Haryono, “Paradigma Teori Dramaturgi Terhadap Kehidupan Sosial,” Vol. Ii, No. 2, 2012.
E. Goffman, The Presentation Of Self In Everyday Life. Knopf Doubleday Publishing Group, 1959. [Online]. Available: Https://Books.Google.Co.Id/Books?Id=Sdt-Cdkv8pqc
J. R. Searle, Studies In The Theory Of Speech Acts. 1979. [Online]. Available: Http://Books.Google.Com/Books?Hl=En&Amp;Lr=&Amp;Id=Dhf27-Nv7pkc&Amp;Oi=Fnd&Amp;Pg=Pr6&Amp;Dq=Expression+And+Meaning+Studies+In+The+Theory+Of+Speech+Acts&Amp;Ots=Ywgn2w3dyc&Amp;Sig=1xq8eajakla3eobqejcxouyzvrk
Farhan Putra Ghaisani And E. Setiawan, “Dramaturgi Tiktokers Lokal Bandung,” Bandung Conf. Ser. Public Relations, Vol. 3, No. 1, Pp. 118–124, 2023, Doi: 10.29313/Bcspr.V3i1.5910.
H. Jenkins, Convegence Culture. 1967.
Downloads
Additional Files
Posted
License
Copyright (c) 2026 UMSIDA Preprints Server

This work is licensed under a Creative Commons Attribution 4.0 International License.
